September 25, 2003
Franchising Focus
Makeover Boosts Sales For French Franchisees
By Shirley Leung
For 50 years, a primary ingredient of the recipe for expansion at McDonald's
had been consistency. Learn how a dramatic departure from that formula
is helping its restaurants succeed overseas.
PARIS -- Missing from many McDonald's restaurants around here is an iconic
piece of signage: the neon Golden Arches. Gone, too, are many of the utilitarian
chairs and tables and other plastic fixtures of the fast-food giant. The restaurants
have hardwood floors, exposed brick and even armchairs. Some have TVs blinking
with music videos.
Walking past the faux-marble walls of one Parisian franchise, the chain's 41-year-old
European president, Charlie Bell, proclaims, "If you took a picture of
this, you wouldn't think it was a McDonald's."
For 50 years, a primary ingredient of the recipe for expansion at McDonald's
-- and the entire fast-food industry -- had been consistency. A Pittsburgh
McDonald's looked like a Paris McDonald's, which in turn looked like a McDonald's
in Prague. Menus might vary to reflect local tastes, but the essential offering
was universal: cheap food served fast in a bright, clean and, above all, familiar-looking
setting.
A dramatic departure from that formula is taking place here in France, where
franchisees face increasing competition from fast baguettes. Half of this nation's
932 McDonald's outlets have been upgraded to a level that would make them almost
unrecognizable to an American. Far from being cookie-cutter copies, each of
the remodeled restaurants features one of at least eight different themes --
such as "Mountain," complete with a wood-beam ceiling reminiscent
of a ski chalet. The company has even begun to replace its traditional red-and-yellow
signs with signs in muted tones of maroon and mustard. And while the basic
burger offerings remain the same, there is espresso and brioche.
It's a radical vision for the archetype of fast food -- and a possible glimpse
into its future and that of the industry as a whole. The 1990s explosion of
Starbucks Corp. and gourmet food taught that consumers today want more than
just quick service in a utilitarian setting. Rather, they want tastier options
in comfortable surroundings. Over the past few years, McDonald's and other
burger giants have tried to take advantage of this trend through acquisitions
of smaller, somewhat more upscale food chains. For example, McDonald's bought
a 33% stake in Pret A Manger, a coffee-and-sandwich chain with stores in New
York, London and Hong Kong. Wendy's International Inc. bought Tim Hortons,
a chain of coffee shops in Canada and the U.S.
But until now, the fast-food chains haven't brought the Starbucks style to
their core brands. While McDonald's in France has embraced the concept most
fully, fried-chicken giant KFC and Subway Restaurants also are adding upmarket
touches, such as stucco walls and softer lighting.
Attention-Getter
McDonald's Chief Executive Jack Greenberg says it's too early to tell if the
French strategy would work in the U.S., but "everyone [at the company]
is paying attention." This spring a team of French executives made a presentation
to Mike Roberts, who as president of McDonald's USA would be responsible for
introducing such a program. Mr. Roberts is considering decor options but hasn't
made any decisions, a company spokeswoman said.
Some franchisees question whether the approach makes sense beyond trend-conscious
markets such as Paris or New York. Ken Clement, a franchisee of nine restaurants
in Phoenix and a former McDonald's vice president, says fancy interiors aren't
necessary in "standard, suburban America," where drive-through customers
can account for 60% of sales. "People are not coming to swoon over the
decor," he says. "They are coming in and getting out of there. They
don't give a rip what is inside."
Yet a change may be needed. Sales at U.S. McDonald's restaurants that have
been open more than a year -- a benchmark known as same-store sales -- have
been flat to negative for the past two years, according to an analysis by Merrill
Lynch & Co. Meanwhile in France, since the remodeling project began in
1998, remodeled restaurants tallied same-store sales increases of anywhere
from 3% to 20% a year. Without variety, says McDonald's France President Denis
Hennequin, consumers "may get bored."
Back in the 1970s and 1980s, McDonald's was an unstoppable growth engine, quickly
ballooning into the world's largest restaurant company. But starting in the
mid-1990s, the Golden Arches weren't so golden anymore. The U.S. market --
the Oak Brook, Ill., company's biggest, with 13,000 restaurants -- was becoming
saturated, and McDonald's couldn't simply open more outlets and grow profits.
Endless tinkering with the menu didn't seem to help, nor did a costly overhaul
of the cooking system, known as "Made for You," which was designed
to serve up custom-made, fresher and hotter sandwiches.
McDonald's reported a decline in profit in six of the last seven quarters.
The company attributes some of the downturn to decreased sales over fears of
mad-cow disease in Europe.
Enhanced decor could help McDonald's reach beyond its traditional demographic
-- children looking for a Happy Meal and young men seeking the cheapest nearby
burger -- to more women and more fashion- and quality-conscious customers.
A comfortable setting could also fill the restaurants in between meals, and
encourage all diners to stay longer and spend more. "We wanted not to
be a pass-through restaurant but a go-to restaurant," says Mr. Hennequin,
McDonald's French president.
The hope is that McDonald's can also leverage the new decor to attract customers
willing to spring for more expensive food items in addition to the basics.
In France and elsewhere in Europe, Mr. Bell is pushing the "Premiere" line
of sandwiches, which is priced 30% higher than the average hamburger. The first
entry, a chicken-on-focaccia sandwich called the McChicken Premiere, has been
a hit, he says. "Our future business will be selling more than burgers
and fries," says Mr. Bell, a McDonald's employee since he started flipping
burgers in Australia at age 15.
The difficulty will be attracting new customers without alienating the old. "If
[the customer] expects speed and convenience, and you offer him a long, sit-down
experience, he may be confused," says Nicolas Bloch, a partner at consulting
firm Bain & Co. who specializes in European food and retail industries.
Mr. Bell says the changes won't drive away the traditional McDonald's customer
base, because the new items will be "delivered to the customer at a real
McDonald's value."
Unique Looks
A few U.S. franchisees have taken it upon themselves to invest in a unique
look. In Dallas, there's a McDonald's in the shape of Happy Meal box, and in
Chicago, there's one with a rock-and-roll theme. According to McDonald's policy,
the company selects the site and builds the restaurant while the franchisee
foots the bill for restaurant equipment and decor.
"A lot of materials have been in place for too long and need to be upgraded," says
Irwin Kruger, a franchisee for 34 years, who has seven restaurants in New York
City. He has upgraded all of them at a cost of 50% more than the standard franchiser
expense. His new, loftlike McDonald's in Times Square has lots of exposed steel
and brick and stage lighting to evoke nearby Broadway. He says sales at his upgraded
restaurants generate more than twice the national annual average of $1.5 million
per unit.
The European president of McDonald's, Mr. Bell, arrived on the job nearly a
year and a half ago from Australia, where he oversaw the launch of the popular
McCafes, which are McDonald's restaurants with coffee bars inside. Mr. Bell
recently decided to export the French upgrade program to the United Kingdom.
In the competitive fast-food business, he says, "if you stand still, you
are dead."
One hurdle is the cost of the remodeling program. In France, the company typically
pays for two-thirds of the cost of upgrading an existing restaurant, with the
franchisee responsible for the rest. (The cost of building a newly designed
restaurant from the ground up is about the same as building a basic one.)
French franchisees are willing to pay. The country known for its cuisine has
been perceived as resentful of the incursion of McDonald's. A French farmer
became a hero in 1999 for driving his tractor into a McDonald's restaurant
as a gesture of protest. Nevertheless, the French have been chowing down les
Big Macs from the moment McDonald's first arrived here in 1972. Now France
is the third-largest market in Europe.
In recent years, French franchisees sensed that they faced a new kind of competitor.
With Burger King completing its pullout from France in 1998, burger joints
were no longer the main threat. But chains -- not just the corner bakery --
began serving fresh baguettes filled with ham and brie in a bistro setting.
Their food came just as fast and as cheap as McDonald's. "We had to find
something else," says Michel Reglat, a franchisee of 13 restaurants in
Toulouse.
McDonald's French division hired an architect to come up with its new restaurant
designs, unveiling the first one in late 1998 on the Champs Elysees, on the
site of a former Burger King. Called "Music," the restaurant has
blue booths and chairs, and numerous CD players and TVs on the walls that constantly
blast rock tunes and videos. The restaurant rang up sales of about $4.9 million
in 2001, Mr. Hennequin says, claiming that the same location used to bring
in only about $2 million a year back when it was a Burger King. A spokeswoman
for Burger King says the chain doesn't disclose sales figures.
Other new motifs include the more playful "Sport," which features
chairs that resemble bicycle seats and TVs that play sports games. Another
design, called "McDo Generation," has an industrial look with lots
of steel, while others, "Autumn" and "Summer," feature
exposed brick, dark wooden chairs and tables, and warm colors of orange and
brown or shades of blue. Mr. Reglat, the franchisee in Toulouse, says seven
of his 13 restaurants have the new designs, and have seen sales increases of
10% to 20%.
"I like the ambiance here," says Nasser Ben, a 30-year-old Hugo Boss
salesman in Paris who frequents the "Music" restaurant. "It's
not the food. It is the same."
Anne Lizot, a 22-year-old student in Paris, says she goes out of her way to
visit the "Music" McDonald's so that she can watch videos while she
dines. "There is another McDonald's closer to where I live," she
says, but "I come here."
From StartupJournal.com
Copyright © 2003 Dow Jones & Company, Inc. All Rights Reserved
